![]() The distance between the perspectives (Δ) would have been 69 millimeters, similar to the distance between a person’s eyes and yielding nearly stereoscopic images. The researchers mapped out the artist positions that would result in the slightly different view seen in the paintings, and then made a tiny reference version of that scene in the greatest use of minifigures ever: A re-creation of a two-painter scenario for the Louvre and Prado versions of the Mona Lisa has a second painter, possibly a student, standing to the left and ahead of da Vinci. They also had 32 people visually estimate the artists’ positions relative to the subject while looking at each painting. To re-create the positions of the artists in the two-artist scenario, Claus-Christian Carbon and Vera Hesslinger of the University of Bamberg in Germany calculated perspective differences by comparing landmarks such as the tip of the nose in the two versions. If true, differences in the two paintings indicate the Prado version was probably painted by a student, a practice fairly common in Leonardo’s studio. It appears that the two paintings may have been painted at the same time, in the same place, both artists tweaking the work in the same ways. The black paint has now been removed, and further imaging has revealed layers with the same changes and corrections made to the original. The researcher looked at the painting under an infrared camera and discovered that underneath the black paint was the same background as in the original, a hilly landscape. In 2012, the Louvre requested the copy for display at an exhibition and asked a Prado researcher if it had ever been studied. The Prado copy’s background was black, and it was coated in heavy varnish. Da Vinci painted the original portrait of Lisa Gherardini, wife of Francesco del Giocondo, in the early 1500s. The Prado painting was long considered unremarkable, just one of many anonymous copies later made of the original Mona Lisa, known as La Joconde in French and La Gioconda in Italian. ![]() The team has followed up with further study of the paintings, to be published in the journal Leonardo, that uses the perspective shift to suggest that the paintings’ mountainous background was painted on a flat canvas and hung behind the subject, like a background in a modern portrait studio. “This points to the possibility that the two together might represent the first stereoscopic image in world history,” the researchers wrote in their initial report on the phenomenon last year in Perception. The distance between the two perspectives is very close to the distance between a person’s eyes, creating a stereoscopic 3-D effect when the two are combined. Researchers in Germany argue that the Prado version was painted in da Vinci’s studio at the same time, from a slightly different position. Or to be more exact, it’s both the Mona Lisa you know, in the Louvre, and a copy housed in the Prado Museum in Madrid. And now, a pair of researchers say that in the early 1500s he might have created the world’s first 3-D image.Įven more surprising: It’s the Mona Lisa. He was an inventor and scientist as well as an artist, and he took a special interest in finding ways to realistically render three-dimensional forms on a flat canvas. Isaacson himself believes it was an intentional decision to paint it that way and does not believe the painting is a fake.Leonardo da Vinci was, to put it mildly, a smart guy. "Instead, Leonardo painted the orb as if it were a hollow glass bubble that does not refract or distort the light passing through it." "Solid glass or crystal, whether shaped like an orb or a lens, produces magnified, inverted, and reversed images," Isaacson writes. At the time he made "Salvator Mundi," he was "deep into his optics studies" and filled his notebooks with diagrams of light bouncing at different angles, according to The Guardian. It's especially puzzling, writes Walter Isaacson in his biography of the artist, because da Vinci was famously fastidious about the reflection and refraction of light in his work. In 2011, it was rediscovered and authenticated as one of da Vinci's works.īut the glass orb raises some doubts about the painting's authenticity, according to some experts. After being bought and sold a few times, the painting was lost to history. It often indicates a user profile.ĭa Vinci painted the portrait - of Jesus Christ dressed in Renaissaince Era clothing, crossing his fingers in one hand and holding a crystal orb in the other - in around the year 1500. Account icon An icon in the shape of a person's head and shoulders.
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